Villa Giulia Fountain
Rome
Italy
Status: Working
Description: The pope, a highly literate connoisseur of the arts, assigned the initial design of the building to Giacomo Barozzi da Vignola in 1551–1553. The nymphaeum and other garden structures, however, were designed by Bartolomeo Ammanati, all under the supervision of Giorgio Vasari. Michelangelo also worked there. Pope Julius took a direct interest in the villa's design and decor and spent vast amounts of money on enhancing its beauties. Villa Giulia became one of the most delicate examples of Mannerist architecture.<br /> <br /> Only a small part of the original property has survived intact, comprising three vineyards which extended down to the Tiber, and to which the pope traveled often by boat. The villa, as was customary, had an urban entrance (on the Roman Via Flaminia) and a formal but rural garden entrance. The Villa itself was on the threshold between two worlds, that of the city and that of the country, an essentially Roman concept. A medal struck in 1553 shows the villa as substantially complete, but with a pair of cupolas which were never executed.<br /> <br /> Vignola's urban front of the building is a somber two story facade with each story being given equal value. It has at its centre the triple rhythm of a richly detailed rusticated triumphal arch flanked by symmetrical wings of two bays only. The facade is terminated at each end by Doric pilasters. In this facade of the Villa Giulia is the genesis of the seven-bay 18th century Georgian villa, which was reproduced as far away as the Tidewater region of Virginia. The rear of the building has Ammanati's large hemispherical loggia overlooking the first of three courtyards, laid out as a simple parterre. At its rear the visitor passes through the casina, which again has a hemispherical rear facade, enclosing paired flights of re-entrant marble steps that give access to the heart of the villa complex: a two-story Nympheum for alfresco dining during the heat of the summer. This three-levelled structure of covered loggias, decorated with marble statuary, reclining river gods in niches, and balustrading, is constructed around a central fountain. Here in this cool environment, sheltered from the blazing sun, day-long picnics would be held. The central fountain, Fontana dell'Acqua Vergine, was designed and sculpted by Vasari and Ammannati: it depicts river gods and caryatids. The fountain's source, the Acqua Vergine, also supplies the Trevi Fountain in Rome.
Owner: Italian Government
